Former Roc-A-Fella Records artist Oschino has unleashed a torrent of explosive allegations against Jay-Z, claiming he has spoken directly to the music mogulâs alleged son Rymir and branding the hip-hop icon âthe devilâ in a stunning, hour-long monologue that has sent shockwaves through the entertainment industry.
In a video broadcast on Niner Mag TV, the Philadelphia rapper known for his work with State Property and Young Gunz did not hold back, accusing Jay-Z of a litany of unethical and predatory behaviors spanning decades. âI think he the devil,â Oschino declared, his voice heavy with conviction. âHe got the people fooled and tricked. He been saying this stuff for like 20 years.â
The most incendiary claim came when Oschino stated he has had direct communication with Rymir Satterthwaite, the man who has long claimed to be Jay-Zâs biological son. âHis son called me. I talked to his son,â Oschino said, adding that he plans to connect Rymir with his own contacts. This revelation adds a dramatic new layer to the long-running paternity dispute that has simmered for years, with Rymirâs mother, Wanda Satterthwaite, filing multiple legal motions seeking DNA tests that Jay-Z has consistently opposed.
Oschino did not limit his attack to the paternity issue. He revisited old wounds from his time at Roc-A-Fella, accusing Jay-Z of stealing songs from young artists without compensation. âThey did that to all of us though, really. Thatâs part of the game. He just was a little blatant with it,â Oschino claimed. âUsually if you going to take a young boyâs stuff, you want to compensate him. You have all that stuff, just compensate me.â
The rapper also brought up the sensitive topic of Jay-Zâs relationship with the late Notorious B.I.G. Oschino accused Jay-Z of having a romantic involvement with Biggieâs girlfriend, Charli Baltimore, shortly after the rapperâs death. âYou popped Biggie Smallsâ girl when he died. That right there shows you a snake,â Oschino said. âI ainât popping my manâs girl when he died. That mean I wanted to pop it the whole time?â

Oschinoâs criticism extended to Jay-Zâs refusal to publicly acknowledge his children from previous relationships, particularly the two sons he allegedly fathered outside of his marriage to BeyoncĂ©. âThe main thing is you wonât put your two kids. You donât claim them. And you know theyâre yours. That to me is diabolical,â he said, drawing a sharp contrast with his own parenting. âLet me do the same exact thing, they got me to dust. Imagine like my son Muji who looks just like me. Iâm saying your kid ainât mine. I donât even want to get the test. Iâm dipping the test. Theyâll grind me to dust. But if youâre famous enough, you can do whatever you want.â
Throughout the nearly 30-minute video, Oschinoâs anger was palpable as he recounted what he sees as systemic exploitation within the Roc-A-Fella empire. He claimed he gave one of his own songs, âI Donât Get No Sleep,â to fellow artist Young Neef, only to have Jay-Z later use it. âI gave him that song. It was all my song by myself. But I wasnât rapping no more, so I just gave it to him. He left one of my verses on there. That was my song, my beat, and everything,â Oschino said.
The rapper also took shots at Jay-Zâs handling of other Roc-A-Fella artists, particularly Memphis Bleek. Oschino claimed Jay-Z gave Bleek a song that was already a hit in New York, yet still failed to properly support him. âHe gave her that… with my lady… What that stuffâs name? Let me see earlier on it. It was already a hit in New York already. Gave that to him, he… Hov got a verse on it. He still ainât do nothing. Donât connect with him. Heâs in… Fu-fu,â he said, his frustration evident.

Oschinoâs attack was not limited to Jay-Z alone. He also criticized the Roc Nation camp and other artists he perceives as disloyal. He referenced Freeway and the deaths of associates, implying that those who claim street credibility while collaborating with certain figures are hypocritical. âWe got all these songs about rest in peace LA and all that. You like Freeway, like boy give him a chain. My boy sitting next to him and smoke your young boy, man. I just donât… All that type stuff make me… Iâm watching somebody pass away and blood get spilled. I canât be cool with that,â he said.
The interview also touched on Oschinoâs personal life, his move to a fully furnished apartment at the Towers, and his purchase of a Can-Am motorcycle that he rarely rides. He dismissed the idea of attending Jay-Zâs concert, referencing his Germantown, West Philly roots and the ongoing tensions in the city. âIf you from Germantown, West Philly, you know why I wasnât at the concert, bro. Stop playing,â he said cryptically.
Despite the venom, Oschino maintained a nuanced stance, acknowledging that his time with Roc-A-Fella gave him a life he otherwise would not have had. âBy the end of the day, I wouldnât change it cuz it gave me a life that I wouldnât have before. But at some point you got to understand your worth. All right, bro, come on, enough is enough,â he said.

He also made it clear that he does not seek reconciliation or confrontation. âI donât want to see nothing bad, crazy, nothing. I donât want to see the man or nothing. I just canât f with him,â Oschino said. âYou talk s about me, I can talk s** back. Iâm fine with it. It donât matter to me. I donât care. It be hurting them cuz it be the truth.â
The video has quickly gone đżđŸđđ¶đ, with fans and detractors alike parsing every word. Oschinoâs statements have reignited debates about Jay-Zâs past business practices and personal life. The rapper has consistently refused to comment on paternity claims, and his legal team has dismissed the allegations as baseless.
Oschino ended the stream with a birthday shoutout and a nod to his own upcoming projects, but the damage had already been done. The hip-hop world is now waiting for any response from Jay-Z or his representatives. For now, Oschinoâs words hang in the air like a bomb that has just detonated. âI think he the devil,â he repeated before signing off. And with that, a decades-old feud has exploded into the public eye once again, more raw and personal than ever before.


